Artwork

Spring’s Thaw At Last

A week ago we were still delaying heading out for morning chores, waiting for that titch of extra warmth from the sun to help us get through the cold. Today I headed out first thing, wanting to do chores while there was still a titch of cold left on the earth’s surface to avoid mud and making tracks with the tractor. After feeding sheep, the kelpie dogs and I detoured off the grid road and made our first spring foray across pasture on our walk.

I can’t recall feeling so giddy about Spring as I do this year. It was a tough, tough winter – natures way of reminding us to take nothing for granted and always be grateful. I have not heard the first call of returning geese yet but surely they must be on their way. Those first honks will sound extra glorious this year.

The ewes are rubbing on fence posts and trees and looking that little bit more scraggly with a full years of wool growth on them still. We are set to shear on Friday, April 5. This is probably the most succinct time when my day job and my artwork merge into one another. Aside from the necessity of it, shearing is also my harvest of art supplies. From here forward I will process, share, trade and purchase fibre with others enthusiasts.

The daylight is growing and with it the pace of work is shifting as it must for farming in a northern climate. With the earlier sunrise I find myself feeling slightly panicked at the thought of keeping up with artwork without a solid block of time first thing in the morning when there is no other demands. The struggle to pursue creativity without letting every other type of ‘real’ work supersede it is very real. But the plan is to hit some trade shows this year and promote both fibre and art and through each, continue to share a little of this lifestyle.

“Where’s Your Momma”
15 x 12 inches, for sale

Stock Dog Silhouette
10 x 15 inches, for sale

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The Flow of A Flock

Creating the flow, or going with the flow, or even watching it, there is a soul satisfying feeling in the flowing movement of a large bunch of animals traveling. I’m positive some intangible asset we intuitively recognize resides there.

Before the flow happens though there is a great deal of effort and energy into starting it, into convincing the animals to go somewhere not where they currently are when they have little notion of why they should.

It’s all very much like living every day life. The amount of effort to start a blog post is far larger than the effort that exists when the flow begins and when the flow is carrying you. Same with a piece of artwork. The seed of an idea is planted far easier than the actual first step that takes so much energy and trust.

And in the event that you are brand new to a task, or have not done a task for some time, the flow can be rocky and hard to feel until we learn again to relax into it and trust the overtaking energy of flow will carry us where we need to go.

I think this is what animals know, certainly it is what sheep know. This is why they are so routine and so comfortable with every day, never panicking that there isn’t more to life than what is present.

Moving Them Home
38 inches wide x 18 inches tall
100% wool including fibres from Rambouillet, Clun Forest, Merino and Corriedale sheep.

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Studio News

The last half year has been a dive in and go deep journey and while I have been writing about some of those deep topics there are several wonderful and light things occurring that have not been shared here with you yet.

I’ve been staying busy with creating artwork and keeping up with social media on that front. It’s a new ball game for me and I’m still figuring out how to manage the pace of regular posting on social media.

fibre artwork livestock guardian dogs
Patrolling Pair, 36 x 22 inches, Not for sale at this time
fibre artwork flock of sheep
First Warm Day 24 x 30 inches, $550

The prairie, the flock of sheep, the stock dogs, the guardian dogs – each one so closely connected to the well being of the other and each one so much a part of the whole of my land and livestock life I do not see one without the other. If I had to choose one subject for the artwork though it might just be the livestock guardian dogs. Thankfully I don’t have to make the choice.

Early on the year an interview article about our place landed in Sheep Canada Magazine. The writer, Stuart Chutter, did a very generous job of portraying our place and taking tidbits from my previous blog to give it a real personal spin. This issue also marks the third time a photo of mine makes the cover of this magazine. I am so pleased with that. You can read the article by following the Sheep Canada link above.

I am once again organizing the fibre showcase for the provincial sheep show which is a national event this year as it’s Saskatchewan’s turn to host the Canadian Classic Sheep Show. The fibre showcase is not a large affair but oddly enough this is a tough event to organize and promote. Fibre fans are reluctant to step out to a sheep show without knowing there is ample public traffic and support for their wares, and sheep producers in this province remain reluctant to embrace the meaning and value of fibre even though it is something they produce. Marrying the two fractions is a hard sell. Nonetheless I will set up a table this year because I feel it is important to showcase fibre, particularly at a national sheep event.

I’ve also applied for a vendor spot at the second annual Biggar Fibre Fair, and I’ve registered to be a participant in the local Studio Trail Art Event. All three events take place across the months of June/July. Given May/June will be swamped with lambing I’m trying to get prepared ahead of time.

I have also fulfilled a couple recent commission requests and finally tackled the long job of building/updating the artwork page into a respectable gallery of images. The photography page is underway and will be added to as new photos emerge. It has indeed been a creative, dive in kind of year thus far.

fibre artwork
Finding Our Flow, 36 x 12 inches, Commissioned Work
fibre artwork
Karrawarra Roo, 26 x 13 inches, Commissioned Work

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