A Return To Nature

A red winged blackbird sways on his cattail perch and trills an alarm at our passing. The dirt trail through the pasture is uneven, rutted by the footfalls of traversing sheep passing this way, season after season, for more than two decades. Flanked by tall summer grasses the trail is barely visible in this stretch passing the wetland. The dogs trot along in the tunnel created by feathery seed heads bending over the path. The grass is holding morning dew and dampens their coats and my jeans. The phrase start where you are, use what you have and do what you can is running on repeat while I walk. We travel on, leaving the low spot and cresting a hill and here the grass is short and sparse and paler green, a diluted version of the thick abundance in the low spots. The dogs fan out, the young pup zig zagging in excited exploration, the elder dogs scenting and peeing on important tufts of grass. No dwelling is visible from this hilltop, only endless yellow ochre prairie, distant yellow canola fields and cattle. We have been walking a straight path for half an hour and still haven’t left our property.

My morning walk is such a steadfast routine I am often in automatic mode and if it were not for tittering birds, screeching insects, or dead pan silences grabbing my attention I may not even realize what I have walked in or through. That is not to say I have taken this place for granted, far from it. One of the reasons for walking every day is to count blessings and spread thanks. But what I am guilty of is forgetting there is anything extraordinary in the everyday lived experience, and thereby dismissing that living outside of hustle and bustle culture, with an abundance of prairie outside my front door, is worthy of sharing.

There are a number of essays showing up on substack written by women who are leaving corporate jobs in exchange for a slower paced, authentic life. A life with different freedoms than corporate money and prestige bought them; a calmer pace that allows for some measure of return to nature. It piques my interest that leaving corporate dictums behind isn’t the only commonality, every one of them writes about welcoming more nature into their lives. It has dawned on me that I live the sort of plain jane life surrounded by nature many of these women are seeking. Not so much in matching detail for detail of curated homes, two point two kids and salon nails, but certainly matching in desire for nature, peace of mind and regular doses of control over one’s time. To recall that I am right where I love to be and have been there all along is a miracle of sorts; a veiled miracle, in the same category as grasses growing. Critical, necessary, forgiving and freely given if we only open our eyes. I see anew that the everyday experience of living quietly and un-corporately is my area of expertise. Nature is profitable to our soul. The birds, the sheep, the dogs, the prairie – they are tangible surroundings bearing the intangible reasons. Harmonizing our lives with the nature that is around us, even in tidbits, shapes our authenticity, and thus shapes who we become, at whatever juncture in life we may be at. A return to nature is a return to ourselves.

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Fencing and Freedom

Open prairie space is daunting in the same way a blank page is unsettling to the painter or the writer. Place a single word on the page or draw one line of perspective and everything shifts. A decision made, there is now a path forward, even if the path is seemingly without end.

One of my first projects earlier this spring was taking down page wire fence on a quarter section of land. Whether putting fencing up or taking it down, fencing on large parcels of land is a monolith of a job. It is one of those activities I have to make myself go and do. The sight of land stretching on, at any other time, with any other job, is a source of awe and gratitude for me. On open space the eye and the spirit roam just as the prairie entices them to. But mark open land with a fence line and my mind travels that fence line into the very void of endless. Highways on the prairie do the same thing to travelers, unnerving them with a sameness that lacks interruption. The appeal of curvy roads is that they do not draw attention to the endlessness, even though it is still there.

Taking this fence down required walking along and pulling the bottom out from the tangle of years of grass and molehills, and then laying the wire down to be rolled up. One trip walking along and lifting wire mesh from dead grass, second trip walking along rolling it up on the ground. Giving myself the goal of doing three rolls of wire each day out seemed the only way to approach this job without wearing out my body and my willingness, so for several days that’s what I did. And just like making the mark on the page, or putting the first few words of gibberish down, the feeling of satisfaction after the first rolls of fence were rolled up motivated me to make progress the next day and so on.

After a few days I reached a corner of the pasture, which happened to be my end point for that day. I happened to look backward before leaving the pasture and took in the lack of a wire barrier between the fence posts. My heart expanded with a sense of unbridled freedom. My body’s recognition of unbuttoned breathing room I’m forever longing for; the breathing room all of us seem to be looking for. The only thing that has been removed is the wire and yet the lack of it shaped a visceral appeal within me. The appeal of a prairie’s freedom visually portrayed by what was now missing. I grew even more determined to reach the end of my endless task, just as I do when those first handful of marks on the blank page first show potential.

Watercolor painting, Work in Progress

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Artistic Reason, Why I Recreate Them

Dogs, sheep, birds, grasses, …I draw them because they are constant and familiar in my life. I draw them to bring them to attention; to remember and recapture. To see them through a different lens. I draw them to feel what I missed when I saw them in person and let slip the moment.

It it no surprise that the dogs garner this much depth and attention, given each and everyone of my days are spent with dogs at my side in work and in companionship, but even the sheep pull strong on my curiosity and what can I say of this prairie that binds us together. This land has tugged at my heart from the moment it realized it had a human that wanted – needed – to grow here. So yes, I make artwork of them all.

It is a great fortune to experience subjects so intricately that they pull you along in the flesh and in the creative. On the flip side however, is how deeply inadequate you will feel about any portrayal, written or visual, you make of such subjects. Or how the act of drawing subjects whose being-ness is so entwined with yours will flood you with all the ways you moved through life with your mind made up and your senses closed. In creating art of the subject that has captured you, you will have to re-capture yourself and decide what to do with the humanness you find. And this re-capturing is the core artistic reason for showing up each day to create, regardless of the work getting anywhere or going nowhere.

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