Artwork

A Little Big Month

It has been a big month; I have missed being here, writing. It doesn’t help that we’ve had all sorts of internet service trouble while our service provider claims to be improving our internet service.

We received rain through late June and July and I am writing to the sound of raindrops on our tin roof. With the arrival of rain came an unfolding of sorts. An unfolding of tightly held concern, an unfolding of hope, an unfolding of the grass as the earth opened up and took a drink. On a morning walk with the Kelpies the place was utterly still and while I sat in the grass trying to match the stillness I thought for sure I could hear the land sipping water. The grazing land bounced back beautifully (forgiveness received, bless you Mother N) and having grass available for grazing means there is less urgency about selling animals and a little more wiggle room about where and when they go. For the hay land, the rain is too late. We might get a small crop of late hay although not nearly enough to feed our flock for the winter.

Another reason for the big month is that my dive into doing artwork and sharing it has become another type of unfolding. In July I attended a studio trail event and right after that a national sheep show hosted in our province. I’m just coming off of the buzz from the latter event. I was hopeful this show would be a good crowd and it was.

Setting up one’s artwork in a public display space and then standing there, cleanly dressed, answering the questions of a very curious public feels a world apart from day-to-day, solitary life on the ranch, fiddling with floats on water troughs, mending gates, and wearing guardian dog drool on your jeans. I feel foreign and out of sorts at every public trade show. But then the questions and comments begin and perhaps because my art is so closely tied to my daily scene, and to what I know, I become settled enough to get through the day. Never comfortable, but settled enough to let it unfold as it will. The reception and feedback to the artwork was very strong and once again I am amazed at the folks who popped by to say they love the photos and the art and are following it online.

Back at home I settle into the peace and quiet of sheep, dogs and prairie land, and merge into the familiarity of ordinary work for my hands once again. The buzz subsides but the creative juices are turning. The more I dive into artwork and into writing the more tightly interwoven the facets of me and this land and livestock life become. There is no piece separate from the other now. Land, animal, nature, artist, human, humanity – every piece within the self and the self within every piece.

To Quiet My Heart

When creating artwork, more often than not I attempt to put across a certain feel and more often than not, I get close but come up short. But every once in a blue moon it works the other way around. I finish a piece of art and upon finishing realize the work carries a thought or emotion I didn’t knowingly attempt to put into it.

Walking softly, not urgent, but knowing.
To move quietly but still be heard and seen because it matters that you are where you are.
To be present in your surroundings.
To hold onto the layers and textures of living.
Not making grand entrances or racing for an end goal.
It’s not about fancy, it’s not about fast but it is about moving.
And sometimes the important way to move is
subtle
gentle
quiet
and knowing.

If any picture can convey how I wish to exist while on this land this piece of artwork is the one right now. But this year I don’t know how to go about doing so. With the land in such a state of drought every move with the flock feels like a damaging one. We are urgent feeling about grass and moisture. I am more unknowing about it all than ever before. I wonder if the land just needs us to disappear so it may have time to adjust and if that is the case I feel pain for not being able to give that. Nothing about this is quiet to the mind and heart.

I know now that I was reaching to create a scene that would quiet my heart and still the racing thoughts of doubt. I needed to make this piece of artwork even though I felt little sense of that when I started out with it.

“Moving On”
28” x 12”
Made with wool, by hand.
I have not priced this piece yet. It’s going to hang nearby for the immediate future, then I’ll ready it for sale , perhaps frame it, and take it to the few trade shows I’ll be attending. It’s a lovely one to see in person.

A Deeper Whole

We moved the ewes to a south pasture to pick at what greens come up there. The ewes stirred up dust as they travelled, a sign of how dry it is. Vaccinating the flock comes up next and shortly afterward the ewes will begin lambing. At the moment chores are light and we enjoy the lull by filling it with tasks that, for the most part, don’t directly involve sheep.

It looks like our entire wool clip will be distributed within province this year, a portion being used by myself, some sold to the new mill and some sold privately. In previous years the greater portion of our wool clip was delivered to a depot and then trucked eastward to the Canadian cooperative. From there wool is sold on the export market and makes its way to China and elsewhere. It’s a small accomplishment that our wool will be used within province this year and one I feel very, very satisfied with. I, of course, have many plans for the wool I will keep. Too many plans actually and I can recognize the need to pare down and focus or else I’ll lose my way.

Lately when I go out to pasture I notice there is an interesting shift in my gratitude for this flock. I have always admired the sheep and the prairie land they live off – admired them enough to relentlessly work toward staying away from the agriculture production trend of bigger and faster is better. Now there is a new level of gratitude whenever I look over the flock. Another level of admiration and wonder for the wool these animals grow. How that wool connects to a world of creativity, art, and artisans. Allen and I view this place as a whole, every part of it necessary for the other parts, and it seems the more we do that the deeper and more interwoven the whole becomes.

Winter Walkabout ~~ Josie (framed) ~~ and current work in progress. All made with wool, wet felted and needle felted.